Cinema's ability to represent multiple versions of reality simultaneously is a form of theoretical physics, disguised as narrative.
About Me
- Nicholas
- Author of the books Ramones (part of the 33 1/3 music series), A Cultural Dictionary of Punk, & Cinema in the Digital Age. Contributing Editor at Filmmaker Magazine, and contributor to The Believer, The Oxford American, The Rumpus, and other places. Professor and Chair of English at the University of Detroit Mercy. Contact: nrombes@hotmail.com
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